Recently, I attended the annual Summit of the Music and Entertainment Educators Association in Washington, DC.
It was an exceptional and inspirational weekend. I met many new colleagues from across the United States and beyond while heard a number of keynote speakers. Among the speakers included folks from places such as the US Copyright Office, Sound Exchange, Peer Music Publishing and the Recording Industry Association of America.
During a time when we hear of "The Arts" being cut or reduced from schools, I was especially taken by just one sentence from one of the speakers. Although the speaker was talking about music in particular, this carries over to all the arts.
He said: "Everyone uses what we do."
Think about it. Use it if someone challenges you about the value of the arts.
Friday, April 22, 2016
Friday, February 5, 2016
Thoughts for a February Friday...
Most of my harp students are adults; those who "always wanted to play the harp." We have a great deal of fun.
One of the challenges for adult students is the idea about playing with or for others. Young students typically are in a studio which presents a recital or two a year, but this is just anot a good fit for adult students.
Let me offer some 'performance' ideas for adult students.
* Play for your family. Perhaps they are visiting for a special occasion or they are just over for dinner. Tell them you would like to play a little concert for them during dessert!
* Play at your church. Most churches will be thrilled to have you play a few harp tunes during the Prelude time before the service. No matter what, they always love you in church!
* Plan a special sharing of talents with a group of friends. Perhaps you have some friends who are also taking music lessons. Ask them to come together in one place and all will share a musical number or two. What better encouragement than that from your friends who are coming from a similar place as you!
* Join or create a Harp Circle or Harp ensemble in your area. Harpists are often so isolated, and it is so much fun to get together with others to play music!
* Attend a harp festival or harp camp (maybe The Harp Gathering!). This is another chance to get together with other harpists to play, perhaps in a 'jam' or even an ensemble experience.
Drop me a note (info@harpgathering.com), and tell me of the playing experiences you have enjoyed as an adult student of the harp. I will share them here on the blog!
Oh, and Think Spring!
Most of my harp students are adults; those who "always wanted to play the harp." We have a great deal of fun.
One of the challenges for adult students is the idea about playing with or for others. Young students typically are in a studio which presents a recital or two a year, but this is just anot a good fit for adult students.
Let me offer some 'performance' ideas for adult students.
* Play for your family. Perhaps they are visiting for a special occasion or they are just over for dinner. Tell them you would like to play a little concert for them during dessert!
* Play at your church. Most churches will be thrilled to have you play a few harp tunes during the Prelude time before the service. No matter what, they always love you in church!
* Plan a special sharing of talents with a group of friends. Perhaps you have some friends who are also taking music lessons. Ask them to come together in one place and all will share a musical number or two. What better encouragement than that from your friends who are coming from a similar place as you!
* Join or create a Harp Circle or Harp ensemble in your area. Harpists are often so isolated, and it is so much fun to get together with others to play music!
* Attend a harp festival or harp camp (maybe The Harp Gathering!). This is another chance to get together with other harpists to play, perhaps in a 'jam' or even an ensemble experience.
Drop me a note (info@harpgathering.com), and tell me of the playing experiences you have enjoyed as an adult student of the harp. I will share them here on the blog!
Oh, and Think Spring!
Thursday, June 25, 2015
Thoughts for a Thursday...
Technology has made it available for composers and arrangers (including myself) to publish their own music compositions and arrangements.
I see a lot of music because I write for this blog as well as for two, quarterly publications. Based on my experiences, I would like to offer a few 'tips' . . .
* Be sure to consider page turns when setting up your lay-out. If you have to move a measure or two over to the next page, or vice-versa, it is well worth it to those playing your music.
* When you choose the paper to print on, be sure it is heavy enough so that the music does not show through to the other side.
* Find someone to look at your creation and give you feed-back. It could be another harpist, or even another professional musician. (plus it is great to get that encouragement as you go along!)
* If you are un-sure how to properly notate all or part of your creation, seek help from someone. Again, it might not even be a harpist, just someone who is knowledgeable about how to notate music properly.
* When you publish your wonderful creation, be sure to include your copyright information, as well as contact info so people can find you. Someone may need more copies, or maybe they want to ask you any variety of questions!
Perhaps you have other challenges as an arranger/composer. Please drop me a note and we can chat and share more ideas!
Technology has made it available for composers and arrangers (including myself) to publish their own music compositions and arrangements.
I see a lot of music because I write for this blog as well as for two, quarterly publications. Based on my experiences, I would like to offer a few 'tips' . . .
* Be sure to consider page turns when setting up your lay-out. If you have to move a measure or two over to the next page, or vice-versa, it is well worth it to those playing your music.
* When you choose the paper to print on, be sure it is heavy enough so that the music does not show through to the other side.
* Find someone to look at your creation and give you feed-back. It could be another harpist, or even another professional musician. (plus it is great to get that encouragement as you go along!)
* If you are un-sure how to properly notate all or part of your creation, seek help from someone. Again, it might not even be a harpist, just someone who is knowledgeable about how to notate music properly.
* When you publish your wonderful creation, be sure to include your copyright information, as well as contact info so people can find you. Someone may need more copies, or maybe they want to ask you any variety of questions!
Perhaps you have other challenges as an arranger/composer. Please drop me a note and we can chat and share more ideas!
Saturday, February 7, 2015
A Walk in the Woods
Greetings from snowy Northwest Ohio. I am writing today to tell you about an exceptional book of compositions which I recently discovered.
A Walk in the Woods is a collection of 'colorful solos' by Kathryn Cater. I purchased this book from Eve Stone of Stoney End Harps as I was looking through her music bins at an event. What a marvelous publication! (Thanks, Eve!)
The 9 selections are all descriptive in nature with titles like Barefoot Wanderer, Tango of the Owls and Secret Agent Super Bunny. The selections in this collection are ideal for a program or recital, I like this idea of "Program Music".
Features in this unique, early intermediate to intermediate collection include: syncopation (love, love love!), crossing hands, tapping on the sounding board, glisses, harmonics, rolled chords and pres de la table (PDLT).
Cater includes a few thoughts about each of her creations, which is a nice personal touch when giving a recital or program. This collection will go into my gig bag and never come out!
I hesitate to tell you about this book...I would like to keep it just for myself!!! :-)
Enjoy...and Kathryn...keep up the good work! (I also keep her book called Adagios nearby as well!)
A Walk in the Woods is published by Afghan Press, 2013.
Saturday, April 12, 2014
An envelope arrived recently from Mel Bay Publications. This fantastic book, 300 Gems of Irish Music for All Instruments by Grey Larsen was inside!300 Gems was published in 2013 and is a joining of two previous publications, 150 Gems of Irish Music for Flute and 150 Gems of Irish Music for Tin Whistle.
This collection features nearly 100 pages of melodies, all written in the treble clef.
The Table of Contents lists the tunes by 'type'.
* Jigs
* Reels
* Hornpipes
* Slip Jigs
* Hop Jigs
* Polkas
* Slides
* Set Dances
* Marches
* Harp Pieces, and, of course...
* Other
The index lists the tunes alphabetically by title.
What a great collection! Larsen includes 13 pages of instructions and tips on how to play the selections, including information on rhythms, Modes, musical terms, etc. He also often tells the source of the melodies, such as "based on the 1935 recording" or perhaps the name of the person he learned the tune from.
The tunes do not include chord symbols, giving you the option of choosing your own harmonies.
300 Gems sells for only $ 29.95 and is available from: www.greylarsen.com.com (and probably from your favorite sheet music store, too). You can buy it as an e-book or purchase the physical book if you prefer! You can also buy the MP3 download ($14.99) of all the tunes or order the 4 CD set ($19.99).
If you like to have Irish melodies at your fingertips, and enjoy learning new ones, 300 Gems is an ideal resource and addition to your music library.
Sunday, October 13, 2013
Holiday Ensemble Music!
You may be thinking about some Christmas Ensemble Music. There is still time to add to your holiday repertoire! Cindy Horstman recently sent me these titles for consideration from the great state of Texas.
I Wonder as I Wander is arranged for 3 harps. This snappy arrangement features a fun, syncopated accompaniment to the traditional melody. It has no lever or pedal changes once you get started and is ideal for late beginner to early intermediate players.
If you bring a few bass clef notes up an octave in Harp 3, this arrangement can easily be played on 3 lever harps. The melody is played by Harp 1, the great syncopated accompaniment is played by Harp 2, and a dotted quarter, 8th note bass line is played by Harp 3. This tune could also be played with Harp 1 and Harp 2 only, if by chance you do not have 3 players available!
There are two F#s needed in Harp 2, which can be set up before starting the piece and you never have to worry about a lever change after that! Cindy has also included some helpful fingerings and placing markings for your convenience.
Included are the score and 3 separate parts. Recommended. $ 25.00. Cindy also offers the option of a free MP3 download! www.cindyhorstman.com
Harp 1 features the melody and opens with glisses and also has rolled chords and triplets (not difficult). The only necessary levers are a couple of F#s, which can be set before the piece begins.
Harp 2 uses great 7th chords in inversions, a left hand repeated note (pedal tone) for several measures at the beginning and at the end, a few well placed muffles, and rolled chords. There are quite a few pedal changes, but they are very clearly marked.
I like this arrangement so much, I will probably use a pedal harp for my annual recital this Fall - and I don't move a pedal harp anymore if I don't have to!
Included are the score and 2 separate parts. Highly recommended! $ 25.00. Cindy also offers the option of a free MP3 download! www.cindyhorstman.com
Saturday, August 24, 2013
We Three Kings: new from Frank Voltz
As we continue to prepare for those holiday performances, gigs and church appearances, it surely is nice to know about new holiday music...especially if it comes from Frank Voltz.
I have written about Frank's compositions and arrangements many times over the years. I think this may be my most favorite one of all! Let me share with you some details about it.
Consisting of 6 pages, this intermediate arrangement can be played on lever or pedal harp; there are only a few lever/pedal changes which are clearly marked.
One especially unique thing about this selection is.... well... you expect We Three Kings to be in 6/8 time, right? Frank's version is in 4/4! Ah, now I have you interested! This leads to delightful syncopated rhythms throughout. Your listeners will turn their heads, thinking, "Wait, what was that?"
Included are a few rolled chords, some short arpeggios, some pres de la table ("PDLT"), a few glissandos and some chords marked touch damp, creating a staccato sound. A few helpful fingerings are included as well.
The page turns are quite convenient and you will be pleased that the Frank Voltz, signature, lush, extended chords are plentiful!
Run, do not walk to purchase your copy. There are also 3 more new Frank publications: What Child is This for pedal harp, and two more brand new original compositions: Forest Green (a fine tribute to harp builder, the late Steve Green) and Romance Remembered.
All 4 of these new publications are just $5.00 each.
Just go to www.frankvoltz.com...and tell him I sent you!
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